A collection of southern gospel sides from late 1940s to mid 1950s capturing the post-WWII departure from rural folk & shape-note singing traditions that had previously defined the music, to quartets and vocal harmony groups' adoption of driving, uptempo boogie-woogie rhythms and spirituals borrowed from the black church. Meticulously transferred and restored from the original 78 RPM and transcription discs by collector James Zurek.