For her second album with naïve, Zlata Chochieva has chosen a magnificent, audacious programme, associating Schumann, Ravel, Liszt and Bartók with the lesser known Draeseke and Schulz-Evler. Sensitive to nature and to the emotions it inspires, the Russian pianist Zlata Chochieva has conceived this very personal album as a patchwork, sometimes inward-looking, landscape with changing skies. "A recorded programme is not a concert programme, but I also wanted to tell a story, propose a whole tapestry of emotions, open different perspectives, " she confides.
For her second album with naïve, Zlata Chochieva has chosen a magnificent, audacious programme, associating Schumann, Ravel, Liszt and Bartók with the lesser known Draeseke and Schulz-Evler. Sensitive to nature and to the emotions it inspires, the Russian pianist Zlata Chochieva has conceived this very personal album as a patchwork, sometimes inward-looking, landscape with changing skies. "A recorded programme is not a concert programme, but I also wanted to tell a story, propose a whole tapestry of emotions, open different perspectives, " she confides.
For her second album with naïve, Zlata Chochieva has chosen a magnificent, audacious programme, associating Schumann, Ravel, Liszt and Bartók with the lesser known Draeseke and Schulz-Evler. Sensitive to nature and to the emotions it inspires, the Russian pianist Zlata Chochieva has conceived this very personal album as a patchwork, sometimes inward-looking, landscape with changing skies. "A recorded programme is not a concert programme, but I also wanted to tell a story, propose a whole tapestry of emotions, open different perspectives, " she confides.
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