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Polyvinyl Anniversary SALE!

Polyvinyl Records

American Football - American Football [Green LP]

2005 reissue LP on green vinyl. Jazz influences took their effect on the shortly lived emo band American Football. All through their self-titled 1999 debut album, you can hear jazz rhythm and timing while the instruments trade off solos like they are talking to each other. Yet, blended with true emo lyrics and musical stylings, the jazz flavoring makes for a one-of-a-kind experience. All of it is due to the understated creative genius of drummer and trumpeter Steve Lamos, guitarish and organ player Steve Holmes and guitarist, bassist and vocalist Mike Kinsella. As a band, American Football disolved into the history books almost as soon as their album was released, but its success continues to grow in their absence. Fan requests for vinyl pressings were eventually acted upon, and several early editions sold out almost instantly. The now standard nationwide reissue on green vinyl remains in print.

Alvvays - Antisocialites [Limited Edition Yellow LP]

Alvvays is due to release its much-anticipated second full-length, Antisocialites, this September. The ten song album is the follow-up to the Toronto-based group's debut self-titled record, which was shortlisted for the 2015 Polaris Prize and featured on numerous year-end "Best Of" lists from Pitchfork, NPR, Rolling Stone, NME, and many more. Bolstered by singles such as “Archie, Marry Me,” and an extensive touring schedule that included multiple full U.S. and European runs, along with performances at Coachella, Glastonbury, and Reading/Leeds (plus Lollapalooza to come this August), the record's word-of-mouth success has translated into Soundscans of over 33K and a combined Spotify play count of more than 30 million streams. Antisocialites is set to carry the band to new heights, with Molly Rankin's distinctive vocals and erudite lyrics taking center stage against a kaleidoscopic backdrop of pop, shoegaze, punk, and some brand new tricks befitting a band that sounds wise beyond its years.

Starfucker (STRFKR) - Reptilians: 10-Year Anniversary Edition [Clear Emerald & Clear Pink 2LP]

Clear Emerald & Clear Pink Vinyl. On Reptilians, STRFKR's second full-length album and first for long-time label home Polyvinyl, the band built on what they had accomplished with their self-titled debut album (2008) and the the Jupiter EP (2009) to create an infectious combination of acoustic instrumentation and electronic production. Originally released on March 8, 2011, Reptilians has since become one of the band's most intriguing and successful releases to date. Featuring fan favorites "Bury Us Alive" and "Julius, " Reptilians was written almost entirely by principal songwriter Joshua Hodges with help from bandmates Shawn Glassford, Keil Corcoran, and long time friend Randy Bemrose. The band mixed with Jacob Portrait in the famed Portland studio The Odditorium. Lyrically, the album focuses primarily on death and the end of the world, two subjects intertwined at the forefront of Hodges' mind following the passing of his grandmother.To celebrate it's 10-year anniversary, Reptilians will be released as a remastered deluxe reissue (2xLP) with 4 bonus tracks and reimagined artwork by original artist Sohale Kevin Darouian.

Japandroids - Celebration Rock [LP]

Vinyl LP pressing. This is the long-awaited, follow up to 2009's Post-Nothing. Celebration Rock is well balanced with a much bigger sound and showcases the band's growth as songwriters. Songs like "Evil's Sway" and "The House That Heaven Built" prove that the Vancouver duo has more than staying power with this sophomore release.

Julia Jacklin - Crushing [Limited Edition Green LP]

Limited 180gm colored vinyl LP pressing. The second full-length album from Australian singer/songwriter Julia Jacklin, Crushing embodies every possible meaning of it's title word. It's an album formed from sheer intensity of feeling, an in-the-moment narrative of heartbreak and infatuation. And with her storytelling centered on bodies and crossed boundaries and smothering closeness, Crushing reveals how our physical experience of the world shapes and sometimes distorts our inner lives. The follow-up to her 2016 debut Don't Let the Kids Win, Crushing finds Jacklin continually acknowledging what's expected of her, then gracefully rejecting those expectations. As a result, the album invites self-examination and a possible shift in the listener's way of getting around the world - an effect that has everything to do with Jacklin's openness about her own experience.

Jay Som - Anak Ko [Color LP]

Vinyl LP pressing. After the breakout success of Jay Som's 2017 debut album, Everybody Works, the band's songwriter, producer, and creative force Melina Duterte spent the next few years taking advantage of all the opportunities her unexpected success suddenly offered her. She took Jay Som on the road, performing with the likes of Mitski, Japanese Breakfast, Paramore, Alvvays and more across multiple US and European tours. She made appearances at various high-profile festivals, including Primavera Sound, Bonnaroo, Sasquatch, and many more. She even found time to sneak in a collaborate EP, Nothing's Changed, with like-minded solo artist Justus Proffit. When it was time to make Jay Som's second album, Duterte relocated from her hometown roots in California's Bay Area to Los Angeles and started writing. The result, Anak Ko, is some of Duterte's strongest work to date. Translating to "my child" in English, Anak Ko, features sweeping, shoegazey guitars ("Superbike"), delicate string & pedal steel arrangements ("Nighttime Drive," "Get Well"), and incredible production that showcases Duterte's evolving skills in the studio ("Anak Ko"). Anak Ko presents an exciting glimpse into Duterte's creative process and solidifies her undeniable progression as one of 2019's strongest and gifted songwriters.

Jeff Rosenstock - No Dream [Limited Edition Seafoam LP]

Limited seafoam colored vinyl LP pressing comes packaged in wide spine jacket with printed inner sleeve. Includes digital download. No Dream is the fourth full-length from Jeff Rosenstock. It comes at a time of unparalleled chaos and confusion, division and despair, the depths of which would have been impossible to predict when much of it was being written over the course of the last few years. And yet the record feels prescient, unexpectedly and uniquely suited for this moment. After building a devoted cult following with the acerbic ska-punk of the Arrogant Sons of Bitches, the DIY heroics of Bomb the Music Industry!, and three increasingly celebrated solo albums, No Dream arrives with an entirely new set of expectations in an entirely new era.

Of Montreal - The Sunlandic Twins [Red/Orange Swirl 2LP]

Red/Orange Swirl vinyl. Of Montreal's seminal record, The Sunlandic Twins, arrived in April of 2005 as the follow-up to their breakthrough album, Satanic Panic in the Attic. To celebrate 15 years since it's illustrious release, we are pleased to present a brand new edition of The Sunlandic Twins on Red and Orange Swirl vinyl complete with a re-designed gatefold jacket interior and 5 additional bonus tracks on side D to round out this superlative 23-song 2xLP.

Laura Jane Grace - Stay Alive [Lapis Lazuli Blue LP]

Laura Jane Grace wasn't planning on making a solo record this year. In fact, she was planning on making a record with Against Me!, the band she's fronted for the past 23 years. But clearly, nothing went according to plan this year. "We came home from the Against Me! Tour we were on in March, and right before we left, we had been in the studio working on songs, and I had been working on them for months prior," says Grace. As she sat at home, all of her tours canceled, and the members of Against Me!-as well as her other band Laura Jane Grace & The Devouring Mothers-spread across the country, she was left with a batch of songs and no band to record them with.So, Grace got to work. She picked up the phone and called Electrical Audio, the iconic studio in her adopted hometown of Chicago, Illinois, to ask if she could make a record with famed engineer Steve Albini. The goal was to go in and document these songs exactly as she'd been playing them in her home, straight to analog tape. When she hung up the phone, she had four days booked.The result of the session at Electrical Audio is Stay Alive, a record that doesn't just embody that title, it serves as the guiding principle behind it's creations. Across the 14 songs that comprise Stay Alive, Grace takes all her pent-up fears, anger, and anxiety and releases it, like an olive branch to the weary listeners who are feeling those exact same ways.

Oceanator - Things I Never Said [Orange Swirl LP]

Oceanator's debut full-length, Things I Never Said, sees NYC multi-instrumentalist Elise Okusami hyperbolically equating early adulthood malaise with apocalyptic destruction. The type of anxieties that form when thoughts bottle up and stress gets the best of you. Throughout the record, allusions to intrusive thoughts and depression-induced stasis are weaved in between references to falling skies, rolling fires, and the possibility of the world literally falling apart.However, while Okusami's emotional and physical solitude makes for a resilient foe, Things I Never Said is ultimately a record about finding comfort in the face of destruction, whether it be through appreciating the little things or forming a bond with someone you can mutually confide in about mental afflictions. There's no concrete resolution to the album, but rather a vital reminder that love and friendship, both with others and herself, will always reign victorious in our darkest moments.

Anamanaguchi - [USA]

Anamanaguchi is a four-piece band from New York and Los Angeles made up of Peter Berkman, Ary Warnaar, James DeVito, and Luke Silas. They program and perform intensely emotional digital music, and also once sent a slice of pizza into space. Their new album, [USA], will be released on Polyvinyl Record Co. In 2019. Since forming in the mid-2000s, Anamanaguchi have been revered as pioneers in the homemade, video game world of chiptune music: they combine a loud and fast live band with hyper-melodic squarewaves from hacked Nintendo hardware. Their earliest releases have been distributed on NES cartridges you can actually play, and in 2010 they created the official soundtrack to the Scott Pilgrim vs. The World game. In 2013, Anamanaguchi self-released the Endless Fantasy album backed by an out-of-control Kickstarter campaign that brought in $275,000, more than five times their goal. In 2016, they parodied corporate gaming culture by making a free game, including an original full-length soundtrack, titled Capsule Silence XXIV. Recently, they've collaborated on a single with the computer-generated Japanese pop star Hatsune Miku, and were the first independent artists to perform alongside her hologram on tour.

Anamanaguchi - [USA]

Anamanaguchi is a four-piece band from New York and Los Angeles made up of Peter Berkman, Ary Warnaar, James DeVito, and Luke Silas. They program and perform intensely emotional digital music, and also once sent a slice of pizza into space. Their new album, [USA], will be released on Polyvinyl Record Co. In 2019. Since forming in the mid-2000s, Anamanaguchi have been revered as pioneers in the homemade, video game world of chiptune music: they combine a loud and fast live band with hyper-melodic squarewaves from hacked Nintendo hardware. Their earliest releases have been distributed on NES cartridges you can actually play, and in 2010 they created the official soundtrack to the Scott Pilgrim vs. The World game. In 2013, Anamanaguchi self-released the Endless Fantasy album backed by an out-of-control Kickstarter campaign that brought in $275,000, more than five times their goal. In 2016, they parodied corporate gaming culture by making a free game, including an original full-length soundtrack, titled Capsule Silence XXIV. Recently, they've collaborated on a single with the computer-generated Japanese pop star Hatsune Miku, and were the first independent artists to perform alongside her hologram on tour.

Jay Som - A Thousand Words [Clear Blue 7in Vinyl Single]

Following the release of Jay Som's critically acclaimed sophomore album, Anak Ko (2019), the band's creative force, Melina Duterte, is already back with 2 beautiful new songs. "A Thousand Words" and "Can't Sleep" both give listeners a crystal clear reminder as to what made Jay Som one of the most popular indie acts of the last few years. "'A Thousand Words' was made after a year of extensive touring plus a cancelled tour," explains Duterte. "I forced myself to make a sort of big and jovial song to bring me out of the funk I was in - I also wanted to remind myself that music can be fun!. Heavily inspired by Bruce Springsteen, Elliott Smith, Pavement and that song 'Alright' by Supergrass." Colored vinyl (clear blue) with download card.

Casiokids - Aabenbaringen Over Aaskammen

Casiokids have found a new maturity in their compositional abilities with their new album, Aabenbaringen over aaskammen. The album sees the band experimenting with different recording techniques including live string arrangements and a collaboration with of Montreal's Kevin Barnes.

Fred Thomas - Aftering

Fred Thomas had been making music nonstop for years when a seismic shift in his creative process happened in 2013. Something mystical opened up in the fall of that year and the prolific songwriter moved from his already emotionally open style into an unprecedentedly direct and vulnerable lyrical approach as well as new levels of detail-fixated production. The songs took on a new urgency, inspired by a feeling that life was beginning afresh while at the same time a lifetime of experiences were cementing into worlds of memory. The results of that creatively eruptive time began with 2015's critically hailed album All Are Saved, continued into the turbulent pop of 2017's Changer and now float into Aftering, a record that feels like the final chapter of an unofficial trilogy.

Just as the two before it, Aftering was produced, mixed and assembled on location in a close collaboration between Thomas and Athens, Georgia based engineer Drew Vandenberg. All cut from the same cloth, Aftering ties the knots that connect all three records. Where both All Are Saved and Changer flitted nervously between moments of jangly powerpop, electronic interludes and experimental acoustic weirdness, Aftering maps out a far more intentional arc, burning through a first act of speedy, hook-heavy guitar rock before taking a sharp, brutal dive into an abyss on the album's second half.

Modeled loosely after Neil Young's On The Beach, the nine songs here move from jumpy two minute blasts into a suite of four protracted and moody interconnected pieces. At first, Thomas' signature mesh of soaring melodies and experimental pop keeps things upbeat even when burying intense topics on songs like "Alcohol Poisoning" or in the post-election unrest of "Good Times Are Gone Again." Beginning with 8-minute fever dream "House Show, Late December," the ache that sits in the core of the album comes to the surface completely. From here guitars almost vanish from the instrumentation and the focus shifts to tightly arranged strings, ominous synths, ambient waves and spoken lyrics somewhere between poetry and desperate confession. These longer songs drift in and out of each other slowly, drowning into their own lush darkness and heavy observations on anxiety, family and emotional abuse.

Connecting all three albums to an even deeper degree, Aftering finally realizes loose threads that began on earlier records, and calls on special guests from all phases of Thomas' life. Anna Burch returns to sing on buoyant single "Altar" and longtime friend and collaborator Elliot Bergman (Wild Belle, Saturday Looks Good To Me) helps sculpt the crystalline vibe of album closer "What The Sermon Said." Newer friends show up as well, with members of Bonny Doon, Common Holly, Deadbeat Beat and other artists Thomas connected with through years of touring showing up in supporting roles over the course of the record. Wolf Eyes member and noted memelord John Olson even contributes some fried horns and electronics.

More than anything, Aftering calmly sets down the restless questioning and turmoil of the trilogy. Instead of landing on any tidy conclusion or neatly wrapping up a thesis, the album illuminates the themes of observation and acceptance that have run throughout Thomas' work for the last five years. Aftering reflects on an answerless and uncertain future, trying to make sense of it through scattered memories that flash like mental postcards. A sense of larger, universal dread refracts through these moments of searching. Ultimately, it's not the dark times or bleakness that lingers, but a sense of connection and hope that comes from trying to communicate them as honestly as possible. Aftering, like the chapters that came just before, can feel sometimes painful, but there's a clarity and beauty that's always there as well, equally bright in even the darkest moments.

Fred Thomas TITLE: Aftering Label: PVL/Polyvinyl Records

Of Montreal - Aldhils Arboretum

After the success of this past April's SATANIC PANIC IN THE ATTIC, Of Montreal has seen a resurgent interest in their back catalog. Originally released in 2002, ALDHIS was a departure for the band. Rather than building songs around concepts, they concentrated on the development and writing. As such, this is their only full-length that wasn't written and recorded as a concept album and it's their most focused and polished work to date.

Alexalone - Alexaloneworld [Digipak]

The sounds of alexalone will usher you into warm, fuzzy, lonely spaces, then shock you alive with pulsing energy. But, alexalone's first full length album, ALEXALONEWORLD, isn't merely about the sound, it is an exercise in world building, and a portrait of the artist cradling and nurturing their emotions as they create, navigating labyrinths of pain as they search for exits, and hoping for a haven where they can survey the damage and regroup. ALEXALONEWORLD's gravitational center is Alex Peterson's (they/them) musical vision and authorial voice, the wayfarer through a forest of moods. Though Peterson is no stranger to performing with other musicians, as a live member of both Hovvdy and Lomelda, when alexalone were highlighted in NPR's 'The Austin 100' in 2018, Peterson was still recording music largely as a one-person band, layering and looping to generate the "big, billowing, shoe-gaze epics" praised by NPR's Stephen Thompson.The album is fueled by Peterson's passion for making music and their personal experiences facing systems of oppression. Peterson found inspiration in the worlds built by Tolkien, Murakami, absurdist graphic novelist Inio Asano, and Zelda video game designers, among other artists who manage to envision worlds where agony merges with playfulness as characters traverse metaphysical spaces. Musically, they draw inspiration from Low, Boris and Yo La Tengo, among other bands who tease out paradox through sound, and who continually seek new creative terrain. Alexalone isn't afraid of descending into dark painful places, but they are also always up for play. Like the best existentialists, they imagine Sisyphus happy.